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Notice
All content on this page is the research work of The International Paul
Bowles Society,
has previously been published in our printed publications and may not
be reproduced
©The
International
Paul Bowles Society, 2000
'A Gift for Kinza' 1951
Paul Bowles
Short Stories
and Poems
in Magazines and Anthology Publications
About Anthology
Works
Since 1928
until the
present time, the short stories and poems of Paul Bowles have featured
in periodical books and magazines. Some of these were featured to
promote a new Paul
Bowles
book (such as 'By the Water' in Penguin New Writing, 1950)
others were published as individual works in their own right.
›editor's reference only
This page:
1928-1965
Next page: 1966 - present
in 'Transition'
(Old Paris
based Magazine)
No. 12,
March 1928 -
Poem: 'Spire Song'
No. 13,
Summer 1928 -
Poem: 'Entity'
No. 19/20,
June 1930
- Poem: 'Delicate Song'
in 'This
Quarter'
Ethel Moorhead,
Monte Carlo
Vol 1: No
4, Spring 1929:
Paul Bowles contributes four short poems:
'Here I Am',
'Halley's Comet',
International Poem' and 'Stop That'
in 'The Morada'
Albuquerque,
New Mexico
Issue 1, Fall
1929: Poem:
'The Church'
Issue 2,
Winter, 1929:
Poem: 'Serenade au Cap'
(Cagnes sur Mer, France:
Morada, 1930)
Issue 5,
December 1930:
Poem: 'Eight'
in 'Tambour'
Harold Salemson, Paris
Number 4,
September 1929
- Poem: 'Blessed be the Meek'
Number 6,
Feb. 1930 -
Poem - 'Hymn' (page 29) Poem - 'America' (page 30)›
Number 8, June 1930- Two-Part Poem - 'Moonward' (page 19)›
in 'Blues: A
Magazine of
New Rhythms'
Number 7, Fall 1929: Sonata and Three Poems:
1) Sonata 2) 'Along Brighter Lines' 3) 'Promenade des Anglais' 4) 'Poem'
Number 8, Spring 1930: Poem: 'Taedium Cupiditatis'
in 'The Chap
Book'
Syracuse,
NY: Syracuse
University
written when Bowles was an undergraduate at the University of Virginia
Vol. II, No. 4, May 1930 - 'Blue Vowels'›
in 'Pagany'
(Richard
Johns Publishing)
No. 4, Fall
1930 - 'Extract'
In 'The
Messenger'
Richmond, Virginia
March 1930, 'Lucidity'
April 1930, 'Pilgrimage'
May 1930, 'Les Villages du Midi'
November 1930: Poem: 'No Village'
In 'Anthologie
du Groupe
Moderne d'Art'
Liege, Belgium
Issue Vol XV, No. 3: 'Ed Djouf'
In 'A Quarterly
of Unpublished
Letters
and Other Belles Lettres'
Issue No.
1, Spring 1935:
'Ksar Es Souk, which consists of two parts:
'Sous Titres en Chleuh' and 'Ed Djouf'
In 'Music in Films: A
Symposium of Composers'
Winter 1940
contributors include Paul
Bowles, Benjamin
Britten,
Blitzstein,
Marc; Virgil Thomson,
Aaron Copland, Dmitri Shostavovich, and others
in 'View'
(Charles Henri Ford, editor)
The young American poet Charles
Henri Ford started
View magazine in his New York apartment in 1940. Ford's stay in Paris
in the 1930's
introduced him to Surrealist poets and artists, including André
Breton, the
leader of that movement, who had encouraged the young poet. When Ford
returned to
the United States he founded View as an avant-garde literary magazine
with Surrealist
interests. Though throughout the next decade an increasing ambivalence
toward the
movement and writers that had inspired him crept into its pages. The
Charles Henri
Ford Papers, which document the inception of View and its seven-year
run, are available
at the Harry Ransom Center at the University of Texas and provide
valuable documentation
of the key events in the magazine's history. They reveal an uneasy, and
often quietly
contentious relationship between Ford and the Surrealists especially
once they had
arrived in the United States by 1942. The papers of Ford's assistant
and lifelong
friend Parker Tyler, as well as those of Pavel Tchelitchew, a painter
and Ford's
lover, are also at the Ransom Center. View magazine ran from September
1940 through
March 1947, appearing quarterly and monthly as circumstances permitted.
Ford initially
intended View to be a journal of contemporary events compiled of
writings by his
literary friends in Europe. The magazine evolved beyond this
news-oriented format.
Ford wrote to his mother in 1945 that the magazine's "prestige grows by
leaps
and bounds. View is now the world's leading journal of avant-garde art
& literature.
And I'd like to hold the position won. . . ."[1] His statement was not
an exaggeration.
By 1945 View had published writing by Wallace Stevens, William Carlos
Williams, Henry
Miller, Paul Bowles, and the Surrealists Breton, Nicolas Calas, and
Benjamin Peret.
It had also produced special issues on artists Max Ernst, Yves Tanguy,
Pavel Tchelitchew,
and Marcel Duchamp, with original covers by the artists. Several of the
special issues
were the first monographs published in English about these artists.
Series III, No.3,
April 1943
- 'The Jazz Ear'
Series IV,
No. 3, October
1944 - 'Hebdomeros Part 1' by Giorgio de Chirico
(Paul Bowles translated this from the French)
Series IV, No. 4, December 1944 - 'Hebdomeros Part 2' by Giorgio de
Chirico
(Paul Bowles translated this from the French)
Series V, No. 1 , 1945 -
The Marcel Duchamp
Number,
Series V, No.
2, May 1945
- presented by Paul Bowles with many
translations by him of writings from South America - 'Tropical
Americana'
Series V,
No.4, November
1945 - 'A New Introduction to the Pebble,'
translated from the French by Paul Bowles
Series V,
No. 5. December
1945 - Bowles short story 'The Scorpion'
Series V, No.
6, January
1946 - 'The Circular Ruins.' This is a Paul Bowles English translation
of the
Jorge Luis Borges (Spanish) work which was published much later in
'Ficciones' and
also in the
Paul Bowles book 'She Woke Me Up So I Killed Her' (Cadmus, 1985)
Series VI,
No.1, February
1946: 'Letter from France' by Germain Brice
translated from the French by Paul Bowles
Series VII,
No. 1. October
1946: Bowles short story: 'By the Water'
in
'Mademoiselle'
April, 1943
- 'Records'
(Jazz recordings)
In 'Modern
Music'
League of
Composers, Vol
21, Feb 1944›
Paul Bowles: 'In the Theatre'
in 'A Night
with Jupiter'
Charles Henri Ford (editor), View Editions, 1945›
Paul Bowles contributes a story, 'Bluey',
written when he was nine years old.
This was Paul Bowles' first written work
In 'Harper's
Bazaar'
September 1946
Bowles short story: 'The Echo'
October 1947
Bowles short story: 'Call at Corazon'
in 'Partisan
Review'
Vol. XIV, No.1, Jan-Feb 1947
Bowles short story: 'A Distant Episode'
Vol. XV, No.3,
March 1948
Bowles short story: 'Under the Sky'
in 'Horizon'
Vol. XV, No.89, June 1947
Paul Bowles short story: 'Under the Sky'›
in 'Prize
Stories of
1947'
The O'Henry
Awards; NY:
Doubleday, 1947
Paul Bowles short story: 'The Echo'›
in 'Best
American Short Stories
1948'
(Edited by
Martha Foley,
The Riverside Press, Cambridge, Mass.)
Paul Bowles
short story:
'A Distant Episode'
in
'Mademoiselle'
January 1948 -
'A Spring
Day' (aka 'You Are Not I')
September
1948 - Bowles
short story: 'At Paso Rojo'
February 1949 -
Bowles short
story: 'Pastor Dowe at Tacaté'
in 'New
Directions'
(James
Laughlin's Press)
1948 - No. 10 - Paul Bowles Bowles short story 'A Distant Episode'›
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1949 - No.
11 - Bowles
short story 'Pages from Cold Point'
(same year as Laughlin published book 'The Sheltering Sky')
1950 - No.
12 - Bowles
short story 'Doña Faustina'
in 'Best
American Short
Stories 1949'
(Edited by
Martha Foley,
The Riverside Press, Cambridge, Mass.)
Bowles
short story 'Under
the Sky'
in 'Prize
Stories of
1949'
The O'Henry
Awards
NY: Doubleday, 1949
Contains Bowles short story 'Pastor Dowe at Tacate'
In
'Transition Workshop'
ed. Eugene Jolas (NY: Vanguard, 1949)
Reprints the Bowles prose piece 'Entity' from Transition 13
In the back there's a bibliography of contributors; Bowles' entry
reads:
'American, b. 1910, New York. Poet, composer, music critic.
Composed music for Twelfth Night, Liberty Jones, etc.'
in 'Wake'
Lawrence, Seymour
and Jose Garcia Villa
NY: Wake Editions, 1949
Wake 8, Bowles short story 'Pages from Cold Point'›
in 'Zero
Anthology'
Number 2, Summer 1949 - Bowles short story 'The Delicate Prey'
Number 8,
1956 (2 pieces)
›
'From Notes Taken in Ceylon' and novella of 'The Hours After Noon'
in 'Zero'
Volume 2 No.7, Spring 1956
Travel Essay: 'From Notes Taken in Ceylon'
(later
published in book
'Their Heads Are Green' 1963)
In 'World
Review'
Issue 14,
April 1950,
Bowles short story: 'How Many Midnights'
in
'Mademoiselle'
July 1950 -
Bowles short
story: 'Senor Ong and Senor Ha'
in 'Holiday'
July 1950 - 'Fez'
in 'Penguin
- New Writing'
No. 39, 1950 - Bowles short story: 'By the Water'›
No. 40, 1951
in 'Esquire'
March 1951
- Bowles short
story 'A Gift for Kinza'›
(later became called 'The Successor' as published
in the book 'The Hours After Noon', Heinemann, 1959)
in '21
Variations on
a Theme'
(NY,
Greenberg, 1953)
Paul Bowles
short story:
"Pages from Cold Point'
in 'Holiday'
January,
1953 - Travel
Essay 'The Secret Sahara'›
(later became the chapter 'Baptism of Solitude' in the
book 'Their Heads are Green and their Hands are Blue')
April, 1953
- 'Paris!
City of Night Life'
in 'London
Magazine'
(John Lehmann's Publication)
Vol. 1 No.3, April 1954 - Bowles short story 'If I Should Open My Mouth'
Vol 1, No. 5, June 1954 - Bowles's 2 page review
of Peter Mayne's 'The Alleys of Marrakesh'›
Vol 1: No. 6, July 1954 Paul Bowles contributes
'Letter from Tangier' with reflections on Moslems and Morocco
in 'Holiday'
January,
1955- 'Windows
on the Past'
May, 1955: 'Europe's most Exotic City; Istanbul'
August,
1956: 'The Incredible
Arab'
November
1956: 'Parrots
I Have Known'
in 'Ten
Years of Holiday'›
Selected by the Editors of Holiday Magazine
Fadiman, Clifton (introduction),N.Y. Simon & Schuster 1956.
First Edition celebrating the first ten years of Holiday Magazine
'The Secret Sahara' (1953)
in
'Carcasonne The Dude'
March 1957 - Bowles short story 'Under the Sky'
'Holiday in
France'›
edited by
Ludwig Bemelmans.
Houghton Mifflin Company. Boston: 1957
Anthology of non-fiction pieces about France by such
authors as Bowles, Shaw, Steinbeck, etc.
Bowles short story: 'Artists in Paris'
In
'Harper's Bazaar'
July 1957,
Bowles short
story: 'The Frozen Fields'
in 'Holiday'
March 1957:
'How to Live
on a Part-Time Island'
March 1958:
'The Worlds
of Tangier'
in 'Hi Life'
Vol. 1, Number 2, June 1958
Bowles short story 'Under the Sky'
in 'Acts of
Violence'
1959 William Kozlenko (ed)
Bowles short story 'At Paso Rojo'
in 'Big
Table'›
Number 2,
Summer 1959
- 'Burroughs in Tangier'
Bowles recalls his early meetings with William Burroughs
in 'Holiday'
April 1959:
'The Moslems'
September
1960: 'Madeira'
in 'Kulchur'
Kulchur 2,
1960
Bowles
short story 'The
Ball at Sidi Hosni'
in 'London
Magazine'
(John Lehmann's Publication)
Vol. 7 No.10, Oct. 1960 - Bowles short story 'Merkala Beach'›
in
'Encounter'›
March 1961: Bowles short story 'A Friend of the World'
in
'Artists' and Writers'
Cookbook'›
1961,
Contact Editions,
Sausalito, CA: Paul Bowles contributes his Moroccan recipes :-)
in 'Contact
8'
Sausalito, CA, Contact 1961
Contains Bowles translation of Yacoubi story 'The Game'
in
'Evergreen Review'
Vol 5, No. 20 Sept-Oct 1961
Paul Bowles translates Ahmed Yacoubi 'The Night Before Thinking'
Vol 6, No.
26 Sept-Oct
1962
Paul Bowles translates Larbi Layachi 'The Orphan'
in
'Transatlantic Review'
No. 11,
Winter 1962:
'The Hyena'
in 'London
Magazine'
(John Lehmann's Publication)
Vol. 2
No.9, Dec. 1962-
Bowles short story 'The Time of Friendship'›
in 'Holiday'
February
1963: 'Journey
Through Morocco'
April 1965:
'The Zany
Costa Del Sol'›
in
'Transatlantic Review'
No.16,
Summer 1964: 'The
Oven' by Larbi Layachi›
translated from the Moghrebi by Paul Bowles
In 'Art and
Literature'
An International Review
Edited by
John Ashberry
(et. al.) S.E.L.A., Lausanne
1964:
Number 4: 'The
Garden' by Paul Bowles
in 'The
Whole Wide World'
-
a Treasury of Great Travel Writings of Our Time
NY Crown Publishers, 1965
Paul Bowles contributes
Next page:
1966
- present
in 'Antaeus': 1970-1994
(Paul Bowles and Daniel Halpern's Magazine)
Back to Book Index Page
Home
All anthology material researched by Josie Farmer
Dedicated to the life and work of Paul and Jane Bowles
©The International Paul Bowles Society, 2000